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Dan Stein - Overcrowded, multilingual, schools will not become manageable because the kids are suddenly the children of guest workers, instead of illegal aliens. Millions of unskilled laborers will not magically become high-earning taxpayers because they have work visas. State budget crises will not be alleviated, housing will not become more affordable, traffic will not become less congested, and middle class jobs will not become more plentiful if we give everyone who is here, or who wants to come here, a piece of paper that says they're legal.

Overcrowded, multilingual, schools will not become manageable because the kids are suddenly the children of guest workers, instead of illegal aliens. Millions of unskilled laborers will not magically become high-earning taxpayers because they have work visas. State budget crises will not be alleviated, housing will not become more affordable, traffic will not become less congested, and middle class jobs will not become more plentiful if we give everyone who is here, or who wants to come here, a piece of paper that says they're legal.

Dan Stein
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David Robertson - One of the principal differences between the work that I have done at other places, either as a guest conductor or as a music director, and that of St. Louis is that I feel the biggest potential we have here is that we play the music with the type of emotional understanding that few other orchestras match. So while we're trying to come as close to technical perfection as human beings can, what we're really working on is trying to get the raison d'etre , the reason for being, of that music.

One of the principal differences between the work that I have done at other places, either as a guest conductor or as a music director, and that of St. Louis is that I feel the biggest potential we have here is that we play the music with the type of emotional understanding that few other orchestras match. So while we're trying to come as close to technical perfection as human beings can, what we're really working on is trying to get the raison d'etre , the reason for being, of that music.

David Robertson
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