Reader Quotes

O Day of days when we can read! The reader and the book, either without the other is naught.

A book whose sale's forbidden all men rush to see, and prohibition turns one reader into three.

A system of education, which would not gratify this disposition in any party, is requisite, in order to obviate the difficulty, and the reader will find a something said to that purpose in perusing this tract.

I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world.

I try to write in plain brown blocks of American speech but occasionally set in an ancient word or a strange word just to startle the reader a little bit and to break up the monotony of the plain American cadence.

Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.

Naturally I drew register a little exaggerated, in order to create something new in the sense of a sublime literature that sings of despair only in order to oppress the reader, and make him desire the good as the remedy.

At the same time, I think books create a sort of network in the reader's mind, with one book reinforcing another. Some books form relationships. Other books stand in opposition. No two writers or readers have the same pattern of interaction.

Being a librarian certainly helped me with my writing because it made me even more of a reader, and I was always an enthusiastic reader. Writing and reading seem to me to be different aspects of a single imaginative act.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.

But it seemed to me that as soon as you have computer storage you could put every point you wanted in - make the ones that are less relevant to your central topic, further away or allow the central topic to move as the reader proceeded.

I do insist on making what I hope is sense so there's always a coherent narrative or argument that the reader can follow.

It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that.

Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together.

It's a responsibility of the writer to get the reader out of the story somehow.

Poetry is the revelation of a feeling that the poet believes to be interior and personal which the reader recognizes as his own.

President Kennedy was a voracious reader and was forever coming up with fascinating bits of information.

The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.

When I need a word and do not find it in French, I select it from other tongues, and the reader has either to understand or translate me. Such is my fate.

I came up with new leads for game stories by being observant and clever, by using the many gifts of the English language to intrigue and hook a reader.

No one in my family was a reader of literary fiction. So, I didn't have encouragement, but I didn't have discouragement, because I don't think anybody knew what that meant.

In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem.

If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!

A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.